The cancellations of Macbeth, with David Tennant in the lead role, has led to questions being raised around the ongoing ambivalence to the continuing public health threat of coronavirus (Covid-19) – not least in the arts.
Macbeth: cancelled due to “illness”
The eagerly anticipated production of Macbeth, starring David Tennant in the title role at the Harold Pinter Theatre, has cancelled four consecutive performances this week due to “illness within the company.” The latest cancellation, announced just two hours before curtain, left audience members disappointed, including those who had traveled internationally and rearranged work schedules.
Among affected ticket holders, some expressed frustration on social media about the late notice and lack of clarity. Twitter user @clairebobcat voiced a common sentiment:
Ticket holders were notified at 5:45 this eve. Really short notice considering illness has been ongoing since Friday. All best wishes to the cast—illness can’t be helped, but very shoddy treatment of ticket holders. Travel money & Annual leave wasted.
The ongoing cancellations reflect broader challenges facing the theatre industry in the ongoing Covid-19 pandemic.
The arts still in crisis due to Covid
A survey by Theatre Washington reported that while 58% of Washington, D.C. theatre patrons once attended performances six or more times per year, only 31% have done so since reopening. Almost half of patrons surveyed now attend just three times or fewer, and nearly 68% cited fear of Covid-19 exposure as a primary reason for staying away.
The UK is facing unprecedented rates of long-term illness due to long Covid, a condition marked by symptoms including post-exertional malaise, cognitive impairment, and cardiopulmonary dysfunction.
Public health data shows that over two million people in the UK are affected by long COVID, with more than 10% of Covid cases resulting in prolonged symptoms.
High-profile performers, including Alyssa Milano and Matt McGorry, have spoken publicly about their struggles with long Covid, shedding light on the profound and lasting impact of the illness.
Protect the Heart of the Arts
In response to these issues, Protect the Heart of the Arts, an advocacy organisation for members of the performance community with long COVID or who are clinically vulnerable, has offered to donate a HEPA air purification system to the Harold Pinter Theatre, which is staging Macbeth.
Glenda from the group told the Canary:
It’s unsustainable, unethical, and we can’t afford to accept it as occupational: our employers, unions, regulatory bodies and politicians have to address the ongoing SARS-CoV-2 pandemic head-on.
Beyond key vectors (hospitals, schools, prisons), creatives are uniquely vulnerable, especially within live formats, alongside venue staff and audiences; not to mention all within said categories who’ve been marginalised, nor the walk-back of digital programming.
The organisation argues that improved air quality could help reduce health risks for cast, crew, and audiences, potentially preventing further cancellations.
Covid isn’t over – as Macbeth inadvertently shows
“We may not know the exact illness affecting the Macbeth cast, but we do know that Covid is a serious vascular disease requiring extended recovery times,” noted Charles Waltz, founder of Protect the Heart of the Arts:
Reinfections weaken immunity to other pathogens, so without measures like air purification and adequate recovery time, we risk ongoing illness cycles that could impact health and stability across the industry. Clean air and flexible recovery policies are essential to protect the performance community’s long-term health.
Featured image supplied
